There’s a reason why Peak has been a long-time favorite on the Mac: it’s unmatched for detailed editing of individual files.
Combined with Peak Pro’s new RMS Normalization feature for matching average dynamic levels, the batch-processing feature appeals not only to audio engineers but to podcasting aficionados as well, since it’s useful for prepping large groups of audio files for radio or podcast programs. It also has a robust and easy-to-use batch-processing feature, which makes it a terrific tool for managing lots of audio files.
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Peak Pro 5 will only let you edit one stereo audio file at a time, and it has no multitrack mixing or surround-sound capabilities, but it makes an ideal companion to multitrack software like Apple’s Logic Pro ( The new XT bundle includes the Peak Pro editor and adds a suite of mastering effects and noise-reduction and audio-restoration software. Peak Pro 5 is a full-blown editor, with advanced features-like Vbox effects chaining-that LE lacks. For light use, LE includes most of Pro’s editing and CD-authoring functionality and incorporates digital-video functionality formerly available in Peak DV (now discontinued), but lacks features like batch processing. There are three versions of Peak 5: LE, Pro, and Pro XT.
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Peak combines basic stereo editing with built-in audio effects, third party plug-in support, and CD-authoring tools. Whether you’re a hobbyist producing podcasts or a pro creating studio-quality projects like CDs or game soundtracks, BIAS’ Peak Pro XT 5 could fit the bill. Dedicated waveform audio-editing programs are indispensable tools for recording stereo sound, preparing files for larger multitrack projects, and polishing audio for CDs and other digital distribution.
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